Chinese art history in various stages of development should be representative of its corresponding, in fact, allowed the emergence of leaders, and even dating situation must have occurred. For example, the death of Mr. Xu Beihong in Chinese art circles since the emergence of a number of outstanding artists, who can be said of the leaders? No. Why do I say? Let's look at what leaders. Difficult to be precise, as follows: for outstanding achievements in one field, or at least known to the world in their time of survival of the hands of "professional" walk in the forefront of their peers; while the "professional" also received outside the area who are engaged in highly Recognition is more important is to have balanced their achievements relative to social status, social impact. If a person can meet the above as "Leaders" phase crown. So as to push, Mr. Xu Beihong can be called a Chinese art circles of his time leader.  Xu Beihong Work: Moonlight  Xu Beihong Work: Moonlight To sum up, Mr. Xu Beihong was able to enter the ranks of longitudinal days. Mr. spent 58 years in the world (1895 -1953), he continues to this day nothing but the art of life. The person has to go, the arts remain. The existing arts, its people back. Come back to carry on the heart through the sky! Repeatedly encountered in his life, "elegant", yellow police stubborn, Dr of, Kang, Gao Qifeng, Gao Jianfu, Cai, Zhou Enlai, too! He moaned from the geese that, as he was able to ride off as octupole Horse; he has a helpless self-confidence, but life uphold: "People should not be arrogant, but proud and can not do without." Oriental culture, especially in China's Confucian culture makes Mr. Xu Beihong to "reform" of Chinese painting mission. In other words: the pursuit of his art as an individual taking into account (or even particular emphasis on) the collective (at the time of the entire Chinese art circles); he is almighty "commander in chief" who not only excel in the art would go on to lead others forward. I think he is a high degree of tolerance to consciousness, personality and talent as he abandoned career away if not impossible to do. Single-minded study how pleasant art is, by chance or providence? Xu originally there may have deprived the freedom to be themselves! Some people think that Xu is the great educator, in some of the art is slightly Johnson. This is simply great, "Absolute's demand perfection!" Looking at the entire history of Chinese art great artists such as Xu real rare: oil painting, painting, drawing, calligraphy, poetry, etc. are all fine, modern and contemporary art history in China has played an extremely important position. Only the terms of his paintings to impressionistic light and color performance and strict and perfect classical style combined is enough to make many of the "master" were ashamed. One show in France at the time also selected nine works, art history throughout Europe there is no such precedent and after the patients? He was painting the art of creative practitioners, based in the tradition of painting the first of the European classical realist painting techniques into the creation, created a rich contemporary works. He was painting the art of creative practitioners, based in the tradition of painting the first of the European classical realist painting techniques into the creation, created a rich contemporary works. His painting, "Tian Heng five hundred persons," "footpath after me," his painting, "Nine Horses Gao Fang," "Foolish Old Man," "Roar," "Songs of Spring", which increase does not express his inner world? Which site does not have "epic" as the shock? Which of the art does not display a very high skills and broad stroke of artistic accomplishment? His life he traveled the world, on the horizon to knowledge, integrated in terms of the world in the 20th century artists on the par with Xu is also rare. Xu is the 20th century's most influential artists of international, artistic thought his life until now affecting the entire Chinese art world. With his genius Xu wisdom, perseverance and life-long effort to become a modern Chinese painting to have complete control of the very few Western painting "marrow" of the artist. (See some of these books were written, "Xu and Van Gogh") From the heart of Mr. Xu Beihong and praise the true statements, the return to the theme of this article, "Xu and Chinese painting." I explained the source of this topic is: a lot of experts and artists feel that "Xu mode" effect, limiting the development of Chinese painting, especially his paintings on the idea of a "Western realism" of the Chinese art boom hinder . Why was there such a situation? Mr. Xu Beihong energy is bigger, he can control and manipulate art? Is there are objective factors? There is also demand for the art itself? In the decades after his death, we look back on that era of art, art of this era is now thought that some people seem to find fault with many of Mr. Xu Beihong "Guilt!" Vision, our younger generation look at the art of our time, we will be granted the black and blue? Will we feel wronged? Based on this, I want to position themselves as much as possible to the text to analyze, "Xu and Chinese painting." Want to approach things as they are - you can minimize my Mr. Xu Beihong and Chinese oil's complaints, it could not be better! |