Example Three techniques - RICHARD SCHMID Painting body painting
Body: oil on canvas, 30 "x 40". The positive is difficult to draw the human body, because it contains all the complex parts. The back of the body is equally difficult to draw, because it lacks the complex part. The problem is how to draw back more interesting. I let the light fall directly on the human body from the head, and gently slide into the shadows, and this created a noticeable effect. Dark transparent background to further enhance the effect. According to the specific demonstration of painting is the order of four.
Body: oil on canvas, 24 "x 30". The painting took two days, the light source is a cloudless blue sky. Cooling effect is the same color tone. Model IV like it, start with the color tone of light and dark contours start playing, only the head and hands in a little line drawing. I use all the paint mixture contains a certain amount of cobalt blue. In addition to other prospects, all with very thick paint.
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Body: oil on canvas, 20 "x 28". Few women's attitude just woke up a moment like the morning as the United States (no hairpin and the other "redundant"). The problem is not finding ways to catch them up and appear in person before this time. I have no problem with this picture, because the model is my wife, she agreed to get up late, let me draw some sketches and photographs, half-length composition is a classic style. Around the human body is pure white and non-white tone. Light source is behind her head and head windows. The light of my work is not enough, so I can only rely on some color sketches of the photos in the studio for processing, in general, according to the order of the Model IV. Lay profile, the head and left hand sketch took me a lot of enthusiasm, I made the right arm and the torso and head of the coordination process. Highlights of this painting is cool, but dark in the middle warmer tone. Behind her is almost pure white in the windows of the brightest highlights. According to the light coming through the window over the entire screen, constitute the bright tone effect. Almost all the middle tones are bright painted with a palette knife.
Human: The Gong Dai pen and painting on paper, 17 "x 13". Oil painting on paper that I mean to practice the technique, it is only a stopgap measure. Almost without exception, my oil painting on paper because the paper has been repeated with a pencil or charcoal painted, and then can not withstand more blotted out. In the painting exercises, the Eleventh, as much as possible as the model block plane with the painting. The beginning of a very bright colors. I expected to paint the trunk line will be many changes perspective (which is a typical illustration of the painting to complete a strong, compelling work, the knowledge of anatomy and the human body is indispensable. If this knowledge Lack of perspective is likely the result of relationship shortened torso painted a bag of sweet potatoes.) I try to draw a good sketch, the thin layer of spray fixative solution, and then draw back and left leg at the top of the body dark and torso and head of the dark, using a clean turpentine thinner the soil red and rose Ocher cooked mixture with a large pig pen is very light coating of bristles, do not make it painted the color forming layer.
Body: oil on canvas, 54 "x 36". Painting a life-size paintings of human encounter many small picture when there is no problem. Some are obvious, some not. First of all, four feet wide, half-canvas painting of your normal distance (arm's distance) can not make accurate judgments. Number of strokes each from eight to ten feet must be determined outside. After each part of the painting, it must at the same place from which to judge whether the relationship with the accuracy of the entire body. In fact, as such a large painting pen to draw a thousand or more, plus retouching and modification. Thus began the painting, it is natural to choose the kind of model number is a more flexible approach. Monochromatic light and dark tones in the completion of a thin coating, I can in any part of the next processing of the body color, structure, and edges. In practice, I usually start with the head start or some other focus processing, to make the rest of the corresponding strokes. Painted life-size paintings While there are many difficulties in the human body, but also has merit, for example, there is a problem about my model as long as field measurements on the line.
Body: oil on canvas, 20 "x 30". This painting is a demonstration of four. First thin yellowish brown and black color make a simple outline, and then use translucent yellowish brown, red and white roses mixed with soil paintings highlight the complexion. Large flat pen and then green, raw sienna and rose soil dark red paint thinner, and paint along the edge of his right foot until the upper torso. The sharp edges of the recesses in the waist. I painted with a thick coating method prospect, and in humans with middle and high light color to make it complete.
Body: oil on canvas, 14 "x 18". At first glance, this picture seems to be the back of the book, like some other clinical this. However, to compare the differences will be seen. This is purely a demonstration of complete five-described method. Model of muscle development is very often called, so I used thick paint thick-coating the entire body. Strokes along the body contour are all strong horizontal strokes. Shares in the left side of the abdomen and a strong use of a palette knife. The waist and left arm in the body of the sideline, looked to the cross-flow seems to be.
The human body: a piece of paper with the stroke Dai Gong, 19 "x 24". Lines by sketching the same model XI, but do not wear a charcoal and pen with Gong, and finally there is no re-painting with transparent oil paints. Cold drawing paper surface is three. I Watteau, mulberry root, plum first lease, the three Gong Dai T, mulberry root type (red pen) is the warmest of the brightest one. In shaping the human body, I first use it to draw a very light line drawing. I am careful to use this document to the middle of dark tone warming. I let the weak tone of the beginning of the abstract, because drawing is very complicated, and I have to deal with hands, feet and face. Completely in the dark in the face, this is a problem. If you start too strong or color the tone too much, but it would get in the way, because I have many times in later use pen and rubber, and paper surface can not withstand the repeated painting. I will draw very little abstract tone, because I like to make this number a little academic style of painting.
Body: Gong wearing pencil on paper, 8 "x 12". Sketch is a small piece of the general procedure according to the Model Eight, do not wear a charcoal pen with Gong. Paper is non-absorbent smooth heavy kraft paper. First drawn with red powder and acetone, abstract background, with a light tone in the middle of the performance of the human body, so do not make significant changes. Ministry of rubber and then expand the number of light, with the sharpened pencil to correct a number of dark.
Body: Gong Dai strokes on paper, 16 "x 25". This is a demonstration of a technique introduced in August, with the three hot Buliesituo smooth drawing paper. The painting focuses on the performance of the body's strength and sense of local simple. To do this I use a strong and simple tone and a variety of light and dark edges in order to achieve interesting effects.
Body: carbon paper drawing, 8 "กม 10". This is the 6B charcoal pencil with a sharpened charcoal drawing fine description of the good example. Using a three-cold paper. Lightly sprinkled with charcoal on paper first, and then very lightly draw a line drawing. Next shape the human body, from head to foot. Then introduced according to the Model XI back and forth as to draw light and dark.
Body: oil on canvas, 18 "กม 24". The painting from the model for drafting according to the processing of all three of the same order. The main problem that I consider most of the shadow of the body. This involves two issues: First, the color of the shadow area must be clean and transparent as possible; second is to start painting before the skin must be erased or sand the surface of the canvas to get rid of the excess part of the shadow lines, a view on the screen as much as possible Few small spots appeared.
Body: Gong wearing pencil on board, 18 "x24". Cloth on the floor with thick acrylic paint foundation handwriting. In full accordance with the order of drawing demonstration of nine, as in almost every area I have the most dark Gong Dai T - black and dark brown, because my objective is to create a strong chiaroscuro effects. The power of such a picture can be enhanced from the sidelines, such as the right arm was projected onto the right chest, the shadow edges.
Body: Gong Dai strokes on paper, 19 "x 27". Drawing, painting is my daughter, according to the order of nine model, but do not drop-off and water, but with Gong Dai pen and acetone. And demonstrate it to nine compared to different materials is interesting to create a nearly identical results. This painting is full use of photography to draw a good example for children. My daughter in this position is not sustainable. A four year old child can not be sustained heavy with this position you finish the painting.
Body: paper Pastel, 6 "x 8". This is not mentioned in the manual as Meyer kind of "pure " watercolor painting, but the broader gouache. I put an opaque white pigment in China and mixed with transparent watercolor paint some highlights, especially in the forearm, shoulder, chest and right breast behind the back on the highlights and background highlight. Before I paint with an opaque, like the traditional transparent watercolor paintings as well before the entire human body.
Body: Gong Dai strokes on the board, 36 "x 55". Is a demonstration of the drawing, ten in one of the techniques described, with propylene foundation. This is a life-size drawing, painting more than I usually, but certainly not beyond the scope of Gong wear whatever pen. Encounter such a large painting large works of art all the same problems faced by the main is to maintain unity and avoid a partial picture too far. I painted some of the process to be observed often stand far to solve the problem.
Body: oil on canvas, 18 "x 24". This is a demonstration of a complete five-described case law, and the other side compared with the back of the body, such a complete method of free, casual features is obvious. The back of the portrait is particularly interesting is that it shows an almost purely human image. No hands, feet, face and other local interfere with the body's flowing lines. It also eliminates the positive picture, as many of the problems encountered when. However, we should also require sophisticated body paint carefully, but also have a solid knowledge of anatomy, or it will look like the human one not a painted glass vessels. I carefully arranged the location model, so that the light clearly shows the back of the main plane, and the formation of high light to show the following skeleton - spine, sacral triangle, pelvis, iliac crest, gluteal fold, greater trochanter, scapula and humerus Small tabs. In order to show the skeleton of the above points, with the slim model point is a good idea.
Body: oil on canvas, 24 "x 48". The human body slightly smaller than life, is the demonstration of a complete five-described case law. Although this picture than the usual one time be a little painting, but turn his head and hands are gone, so the anatomy is relatively simple on some. Light and dark tones is simple and strong. Since it is an upright posture, the natural fit with the direct method of drawing. I use color for drafting, with a thick coating method to process, so that the picture appears strong.
Body: oil on canvas, 18 "x 24". From the painting process, this is the same picture with the demonstration of four, but the gesture and brush have to be much simpler. This is mainly an assignment on the sideline. The focus of the whole picture is in the right shoulder blade edge above the confluence of the place, from where the hair hanging down the back apart. Along the entire body of the left is a variety of soft edges and the edges have disappeared in the right, too, where the leg above the edges together with the background.
Body: Gong Dai strokes on paper, 9 "x 6". It is fine to use a pen, a good example. Strokes out of the use of such a small sketch of the site do not unusual. Pen thickness slightly less than 6 mm, the equivalent of drawing the human body the diameter of the right wrist. I used acetone to the background brush to make it into the body, forming edges and background effects, and head near the left side in the left leg and other areas seem particularly apparent.
Body: Gong Dai strokes on the board, 18 "x 24". Surface is 1 / 4 cm coated with propylene Maisong Ni plate. To make the structure interesting, I leave to board strokes, painting process is almost the same with the demonstration of ten, the difference is the first Line Drawing, as a model of the position is much more complex than the ten demonstration. After I sprinkled the red line painted and Watteau powder, use a rubber block clashes between bright tone, with a sharpened the dark strokes.
Body: watercolor paper, 12 "x 8". In the beginning of this chapter and elsewhere in the book, I have to clarify my following point: my "observation " method can work out of my way there alone. Although the book does not watercolor demonstrations, but I am a watercolor, or the inclusion of such right, because I like using this method the same way as the use of transparent painting.
I use the same type of oil paint watercolor paint the same kind, in addition to some other details, I do not like the traditional watercolor pen as with the Sable, but with large and small bristles pen, for me, the only difference between watercolor and oil painting Is that the former water as a medium. In oil painting, I always pay more attention to drawing, shading, color and edges, the painting began to be almost invisible line drawing, painting, next coated with a thin skin color. Not yet dry, and soon draw a good dark around the body to form a soft and clear edge interactions. If so then drying paint, it is difficult to draw a soft edge. As I stopped halfway through for a painting, it is necessary to keep it moist water regularly.
Body: oil on canvas, 18 "x 22". This is my experience the most difficult piece of painting exercises, it has highlighted the difficulties anatomy - head, hands, feet, and it is the children formed by the arms and legs. Must be rigorously draw a good sketch, or they might be to imagine a beautiful and moving gesture distortion, or painting Debu with anatomic relationships. Model II and III, as did, I first sketch to solve all the problems, and finally coated with a thick thick method.
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