Model Five:Ala Pulie Ma (a complete method) Two of the demonstration and demonstration to introduce the next three direct painting method. There is seldom direct painting the preparatory work, and processing techniques used in each stage. Completion of painting directly from the initial sketch stage, strokes, color and light and dark tones composed of: "Ala Pulie Ma"This one time the direct method of painting, often referred to sketch paintings, which is characterized by labor-saving, natural, unrestrained strokes, full of a sense of freedom easily, drawing in this painting activity for children and other rapidly changing The object is more appropriate. However, a complete direct painting is not easy. It does not drafting, did not play profile, there is no relationship between light and dark to try, there is no advance preparation. The initial and final strokes strokes, change is unique. In the drawing, shading, color and edge requirements of the various aspects of accuracy of each step. Painting should be taking into account all the rules. Use the fastest speed to complete the whole picture on the smallest detail. Painters use a complete method of procedure different but the common basic principle is to accurately depict the object as quickly as possible, and can not spend too much energy to any part. This painting is another feature is you can stop at any stage of the work was to see painting has been completed. This painting is a very important point: the most obvious local first painting. The most obvious things most easily observed and, therefore, easy to draw for sure. When painted the exact part of the increasingly long time on the screen, in which accurate color, shading, sketch, and edges of the contrast, the difficulties of those elusive parts will be easy to observe clearly. If a method has completed the preparatory work, then it is in the mind in preparation. First object as a picture to look carefully, before you begin writing, my mind has had a good image of a painting. Later, only this image of the painting with a brush to the canvas it is. As long as there is a wealth of art practices, it could have such observation and "visual memory. "
The final stages of detail: This shows the more important areas of the modified situation. With medium and small cone pen, raw sienna, rose a mixture of red and cobalt blue, light to dark in the middle of the human body-color processing. In the left leg, upper arm and shoulder in the middle of the dark color with a dry texture strokes at the main. Special attention to the right hand and forearm, where the brightness and color of only minor changes to hand even more obvious, pay attention to those edges are not changed.
Completion of the human body: oil on canvas, 16 "x 20". Overall the site with the first step to complete the picture there is no big difference. Cooked with a transparent mixture of ocher and deep cadmium red, with long, thick brush strokes in the background of human right and part of the above processing. Some parts in the background, such as the right hand side, then covered with a layer of cadmium red and white. With cadmium red, yellowish brown and white complete the back of the body shape, add a little hair on the darkest part. Compared with the first step, we can see that pay special attention to changes in edge characteristics. Model 6: direct painting The painting done in concept and a direct method and the traditional painting of the difference is: at the beginning before painting, to be completed in the mind of the entire body drafting, and the intermediate stage and the stage of processing a lot of work. Objects should "see" into a completed painting, "look" into a number of connections from the edge and color put together the plan. Therefore, do not press a certain sequence of steps to the gradual development, such as the main area to start the beginning, and then complete a secondary area and so on. Technique is also used arbitrary decision surface can be painted to go in all different directions, from realism to near abstraction. This method has the same two points with a complete method: First, the original strokes are left unchanged; the second is do not need a lot of preparatory work (although in this method, a point made by a small amount of preparation is important.) If you use this method to an unfinished painting, it can be said is a complete method. However, this method is to first finish the painting, you can stop at any stage, relying on a reference image in mind, even a week later in the day to continue to draw down. However, the completion of the painting several times, generally less than the total time to complete the natural, but it is suitable for painting large canvases. Demonstration of the first piece of color to play with a transparent outline of the body to determine the size of the screen. The human body actually has three sitting head high, that is, the end of the spine to the top of the head from about 27 inches, painted kind of two-thirds of his head, which is about 6 inches tall, the seated height is 18 inches. This will put the body around the spacious foreground and background arranged in 24 "× 30" in the frame on
The first step: this outlines the detail of the painting clearly shows the head of the brush with a very transparent. With a small cone pen directly on the canvas for a simple line drawing and careful in the head. In the back and right shoulder, with a larger pen carefully draw hair. These are only a few minutes to complete the preparatory work, its role is as a starting point for future reference and comparison. The next step is to complete the head, drawing the human body, each knife, each individual's size, shape, color and structure will depend on the head of the painting.
Step two: the second step of this process step compared to the same, you can see elements of direct painting. In addition to some changes in the hair, to cover your eyes exposed, but this step for each completed a painting in the last almost unchanged. In this step, along the bottom of the forearm, leg and foot painting lines, in the final stages of a dark, only a change in the sideline area. The painting is not clear phased. Most parts of the painting are no longer re-painted, and the remaining work is only some of the edge picture blur, and finally highlight some light and dark only.
Body: oil on canvas, 24 "x 30". Shoulders, face, arms and along the left side of the blade body, strokes and the edges are the same with the second step. The long cone pen with transparent paint to paint the hair on the back, drawing to the same background color is transparent. A transparent pigment used for painting the entire Cunfa background texture strokes in the foreground and then used a knife to processing. The medium of traditional brush painting cone pen the rest of the body. According to the characteristics of this painting, the painting can also be drawn from the right foot starting to move upwards, the last to achieve the same result. Model Seven: abstract painting directly on the base This abstract painting method of wood, can accumulate in their daily work, the daily work of those remaining in the palette clean, paint, a thin coating of some small Maisong Ni plate, several Months later, to form an interesting abstract. Dianlaidaoqu look at them, many do not seem abstract form. Arrange them slightly, to become still retain a certain degree of abstraction of realistic painting. These may sound cumbersome, but it can create in their daily lives and can not clean the canvas on the emergence of a new style of composition and color arrangement.
The first step: to this 8 "× 12" color abstract base plate, the performance of the full body drawn around the center is transparent to most of cooked dark brown and black. The place is a thin red painted cadmium red and cadmium orange mixture, the central bright part is warm with a small palette knife painting.
The second step, this painting without models, the abstract base their decisions effect. The only reference is an anatomy book or a subject close to photo realism. Sable with a small cone pen and paint pen on the skin color of the central board, the original color will be extended to the trunk. Then began to draw the face and hair.
The third step: let the head stay in the second step, but because of shoulder and chest in this step closer to completion, so the head looks more clear. Began to draw arms, but they must first be completed before the paint scraped off the dark below. Cone pen with a small thick-coating paint thick lower body and thighs. Prior to the completion of the leg, only a small amount of scratch work.
Step Four: Scrape the area behind the arm and right foot, and continue to draw the knee and right foot, left thigh and left arm shaping the biceps. Continue to use the small cone Sable pen to pen and thick coating to prevent possible following the situation turned out the color, texture strokes of white paint with a dry future.
Step five: more attention to this step part of the brush body, which can be clearly from the chin soft shadow edges, and the shape of the chest and pelvis on both sides and edges seen. Processing in the chest, in the head and around the edges to make small changes. In the abdomen with a palette knife to make the surface of the final processing.
Body: board painting, 8 "x 12". Finalization of prospects on the right is mainly used to draw heavy palette knife strokes, thick coating method in the left corner. Paint yourself at the left hand, right foot to make minor changes. The painting from the abstract to the realistic development of a number of more general picture to the third or fourth step could be the end of step, but this picture is better able to explain the effect of using this technique. Model VIII: Description of carbon paper The demonstration and the demonstration, although the following three sketches, but the paintings speak some common elements. Including the relationship between light and shade, edges, surface texture and durability. Description techniques like carbon is essentially monochrome painting with blocks as a face and tone of the sketch, but with charcoal and pencil instead of oil paint, paper or wood coated with plaster base instead of white lead foundation. This board is the supply of plywood or Maisong Ni ShangXi board, coated with a layer of gypsum powder (a kind of white chalk and the like made of water-soluble paint background, blending with the skins after applying glue to) . In theory, block the light and dark sketch acres of the changing relationship with the demonstration of a similar method. Outline of a dozen demonstrations, through the initial creation of light and dark shades of color between the different changes, here is through the surface of charcoal or pencil drawing to create different shades of the changing relationship between light and dark, that add more charcoal or lead, or with a brush, padded Paper or soft cloth to wipe off some of charcoal or lead (such as for dry wipe pen charcoal or lead powder, and then to stay in the pen when the powder get clean. such as pens have water or other solution in the wet, then Should be washed in the same liquid.) Start with an abstract pattern will begin to place paper or board level, with fine sand paper or pencil to charcoal powder rub down, covered with screen. Tissue paper and then use soft cloth head, mink badger brush or sprayer, the solution will be volatile or water on the screen to create the desired pattern. Do not allow charcoal, lead powder on paper or board in the slot in too deep. The phase to be repeated several times, erase and then draw, paint and then wipe off. It is important to re-expose the white base must be preserved room. When the patterns completely dry, start the real drawing.
Model IX: Description of carbon plate surface Painted 1 / 4 cm thick untreated Mai Songni board. First hit a layer of acrylic base, which is a layer of dry water-insoluble plastic. Bristles with four cm acrylic coating to the board pen, let go lightly coated with a foundation brush. After drying, use and demonstration of the same eight-way of the charcoal on the abstract patterns. The drawing board flat, covered with a large number of toner, with the watering can of water, wetting the charcoal. In the process of painting can only be water, because all the volatile solvents, such as mixed xylene, toluene, acetone, alcohol and propylene base reaction would have adverse consequences, and the water will not affect the base structure through the surface. When the water evaporates, leaving on the surface of the foundation can be fully utilized toner patterns.
The first step: the drawing board flat, sprinkled with charcoal powder, spray Sheung Shui. When the surface is also wet, add more toner on the need to arrange a place for the main dark charcoal was put some thick, some thin canvas sides put, by drawing into the background gradually fades after the. With mink pen dipped in a mixture of charcoal and water, painted on the top and bottom horizontal strokes of some lightweight. Gently with tissue paper to absorb excess water around. When the tissue paper to absorb moisture, carefully take away the tissue paper. The water will be completely evaporated, dip pen with a large bristles on the surface of water sprinkled with bright ideas. When all dry, officially described.
Third step: In this step, so keep toner fixed pattern, focusing on body parts. Bristles with a medium light pen on the need to draw the local level wipe excess toner. These highlights include the hands, right knee, and a little show right in the face. After removing the excess toner, polishing with rubber to increase the tone department. With the eraser in the past, we must first brushed with a brush the excess toner, because the rubber can only be a small amount of pigment absorption, if they start with an eraser, it will be pressed into the base surface of the toner gap go. Next with a sharpened soft charcoal to draw the dark shadow, and perspective shaping relations with both hands and shortened due to right knee form. Not routinely asked to draw and then draw dark highlights, but the turn of the painting back and forth, until the look neat and smooth so far.
Body: board charcoal, 20 "x 28". Dip pen with long bristles painted charcoal and water, dark hair, pig bristles pen dipped in water and then draw the hair highlights. Wet with a thin wire, carefully scraped knee high light and middle tone of the Ministry. Charcoal and rubber with a soft left foot to complete the shape. Continue to head with a wet soft cloth to wipe the background of the left fuzzy number. A soft cloth lightly dragged over the surface, remove excess toner. Caused by the effect of soft and colorful, and very fine sand and then wipe the skin on the acrylic base from some of the high brush, using flat side pressed the charcoal to draw the foreground and the head on both sides of the darkest dark. Pen to be quite heavy, so stick tight carbonaceous surface. For this, you can also spray a layer of liquid propylene. Model X: Gong Dai pen sketch This technique is conceptually almost identical with the description of carbon is drawn from the color of the abstract reality of the body surface. It can show a variety of light and shade and well-being. Although it is mainly confined to the tone light and dark soil color within the scope and well-being, but it is charcoal in color than the more expressive description. The pen is used in the nineteenth century French chemist H · J · wear developed Gong "Gong Dai pen", which is a hard color pen, about three inches long, colored chalk than the traditional narrow point, made a series of from dark brown to red color is the different colors, according to the order from cold to warm, the most cold-called Medici contract type, type the following as the eighteenth century, Watteau type and mulberry root type (red pen). When drawing the human body with a cooler in the highlight color, in the dark with a warmer color, creating a rich relationship between well-being. This pen also has black and white. Apart form this pen side note, it also made the form of an ordinary pencil can draw fine effect. Two forms of pen are available Sand leather head sharpened. This pen and charcoal, another difference is that its color is more dense, charcoal greater than the adhesion, so be careful when using in the beginning not to let paint drawing paper or board through the cracks go. Others, it describes the same carbon. Powder can be sprinkled on the surface of the painting can also be blended with water or volatile solvents up brush up. It is also used rubber, liquid or abrasive wipe. You can also use dry brush, soft brush, cotton paper, paper or fingertips to be modified and so vague. Such as the fingertips, the hands must be dry and able to oily skin with this oil, such as contact with the screen, the color of the surface will be adsorbed,
Body: board sketch, 20 "x 28". In this last step, and only a small number of changes. Oil painting brush with a wet brush along the hair on the left of the fuzzy edges. Gong wearing the pen with the horizontal plane in the right thigh and right hand with the most prominent of these dark and darken the background around the head. Nine as the demonstration that the sketch with a fixed liquid propylene. Sketch is usually drawn on the board at least two layers of acrylic medium to cover, it is very durable, it has no need to use a glass frame. |
